1 characteristic of false pride; having an exaggerated sense of self-importance; "a conceited fool"; "an attitude of self-conceited arrogance"; "an egotistical disregard of others"; "so swollen by victory that he was unfit for normal duty"; "growing ever more swollen-headed and arbitrary"; "vain about her clothes" [syn: conceited, egotistic, egotistical, self-conceited, swollen, swollen-headed]
2 unproductive of success; "a fruitless search"; "futile years after her artistic peak"; "a sleeveless errand"; "a vain attempt" [syn: bootless, fruitless, futile, sleeveless]
EtymologyFrom vain < vain < vanus.
- Rhymes: -eɪn
- overly proud of oneself, especially when concerning appearance
- Leo Rosten:
- Every writer is a narcissist. This does not mean that he is vain; it only means that he is hopelessly self-absorbed.
- Leo Rosten:
- having very little substance
- pointless, futile
- William of Occam:
- It is vain to do with more what can be done with fewer.
- William of Occam:
overly proud of one's appearance
based on very little substance
In conventional parlance, vanity is the excessive belief in one's own abilities or attractiveness to others. In many religions vanity is considered a form of self-idolatry, in which one rejects God for the sake of one's own image, and thereby becomes divorced from the graces of God. The stories of Lucifer and Narcissus (who gave us the term narcissism), and others, attend to a pernicious aspect of vanity.
Philosophically-speaking, vanity may refer to a broader sense of egoism and pride. Friedrich Nietzsche wrote that "vanity is the fear of appearing original: it is thus a lack of pride, but not necessarily a lack of originality."http://www.bartleby.com/66/51/41651.html One of Mason Cooley's aphorisms is "Vanity well fed is benevolent. Vanity hungry is spiteful."http://www.bartleby.com/66/44/14144.html
In early Christian teachings vanity is considered an example of pride, one of the seven deadly sins.
The symbolism of vanityIn Western art, vanity was often symbolized by a peacock, and in Biblical terms, by the Whore of Babylon. In secular allegory, vanity was considered one of the minor vices. During the Renaissance, vanity was invariably represented as a naked woman, sometimes seated or reclining on a couch. She attends to her hair with comb and mirror. The mirror is sometimes held by a demon or a putto. Other symbols of vanity include jewels, gold coins, a purse, and often by the figure of death himself.
Often we find an inscription on a scroll that reads Omnia Vanitas ("All is Vanity"), a quote from the Latin translation of the Book of Ecclesiastes. Although that phrase, itself depicted in a type of still life, vanitas, originally referred not to obsession with one's appearance, but to the ultimate fruitlessness of man's efforts in this world, the phrase summarizes the complete preoccupation of the subject of the picture.
"The artist invites us to pay lip-service to condemning her," writes Edwin Mullins, "while offering us full permission to drool over her. She admires herself in the glass, while we treat the picture that purports to incriminate her as another kind of glass—a window—through which we peer and secretly desire her." The theme of the recumbent woman often merged artistically with the non-allegorical one of a reclining Venus.
In his table of the Seven Deadly Sins, Hieronymus Bosch depicts a bourgeois woman admiring herself in a mirror held up by a devil. Behind her is an open jewelry box. A painting attributed to Nicolas Tournier, which hangs in the Ashmolean Museum, is An Allegory of Justice and Vanity. A young woman holds a balance, symbolizing justice; she does not look at the mirror or the skull on the table before her. Vermeer's famous painting Girl with a Pearl Earring is sometimes believed to depict the sin of vanity, as the young girl has adorned herself before a glass without further positive allegorical attributes. http://essentialvermeer.20m.com/cat_about/necklace.htm All is Vanity, by Charles Allan Gilbert (1873-1929), carries on this theme. An optical illusion, the painting depicts what appears to be a large grinning skull. Upon closer examination, it reveals itself to be a young woman gazing at her reflection in the mirror.
Such artistic works served to warn viewers of the ephemeral nature of youthful beauty, as well as the brevity of human life and the inevitability of death.
vain in German: Eitelkeit
vain in Spanish: Vanidad
vain in Italian: Vanità
vain in Portuguese: Vaidade
vain in Russian: Тщеславие
vain in Swedish: Fåfänga
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